Marco L
(CASTELLANO) Seinfeld no fue solo una serie, fue una revolución. La mejor comedia de todos los tiempos, sin discusión. Pocas cosas en televisión han logrado lo que consiguió esta joya: convertir lo cotidiano, lo trivial, lo absurdo, en comedia perfecta. Cada episodio es una pequeña obra maestra de observación, ironía y genialidad. Y sí, cuando terminó, lloré. Porque sabía que no volvería a haber nada igual.
No tiene capítulos flojos. Algunos están más arriba en el podio, claro —el del parking, el de la serie sobre nada, el viaje a los Hamptons, Festivus, el del restaurante chino...— pero todos son buenísimos. Siempre encuentras algo que te hace reír, una frase, una reacción, una mirada, un giro ridículo pero brillantemente escrito. La construcción de las tramas, cómo se cruzan y se cierran con una precisión casi matemática, es una lección de guion para quien quiera aprender a escribir comedia.
Y los personajes… qué decir. Jerry, George, Elaine y Kramer son ya parte de la historia de la televisión, y no solo por lo que dicen, sino por cómo lo dicen, por lo que callan, por lo que representan. Todos tienen sus momentos brillantes, y ninguno podría haber sido interpretado por otra persona. Cada uno de ellos es indispensable para que la serie funcione como ese engranaje perfecto que nunca chirría.
Es cierto que fue una serie sobre nada, pero también lo es que acabó hablando de todo. De relaciones, de neurosis, de egoísmo, de inseguridad, de comida, de sexo, de normas sociales ridículas... y lo hizo con un descaro, una elegancia y una inteligencia inigualables.
Han pasado los años y Seinfeld no ha envejecido. Sigue siendo tan divertida, tan irreverente y tan inteligente como el primer día. Y eso, en televisión, es algo al alcance de muy pocos.
(ENGLISH) Seinfeld wasn’t just a TV show — it was a revolution. The greatest comedy of all time, no debate. Few things on television have achieved what this gem did: turning the everyday, the trivial, the absurd into perfect comedy. Every episode is a small masterpiece of observation, irony, and brilliance. And yes, when it ended, I cried. Because I knew nothing like it would ever come again.
There are no weak episodes. Some are obviously at the top — the parking garage, the show about nothing, the Hamptons, Festivus, the Chinese restaurant — but every single one is great. There’s always something that makes you laugh: a line, a reaction, a look, a ridiculous twist that’s so cleverly written. The way the storylines are constructed, how they intersect and wrap up with near-mathematical precision, it’s a masterclass in sitcom writing.
And the characters… what can I say? Jerry, George, Elaine, and Kramer are TV legends — not just because of what they say, but how they say it, what they don’t say, and what they represent. Each of them has their brilliant moments, and none could’ve been played by anyone else. They’re all essential to the show’s perfect balance.
It’s true that it was a show about nothing, but somehow, it ended up talking about everything. Relationships, neuroses, selfishness, insecurity, food, sex, ridiculous social rules… and it did so with a boldness, elegance, and intelligence that’s unmatched.
Years have passed and Seinfeld hasn’t aged a bit. It’s still just as funny, irreverent, and sharp as it was on day one. And that — in the world of TV — is something only a handful ever achieve.
Rated 5/5 Stars •
Rated 5 out of 5 stars
04/09/25
Full Review
Edoardo C
this bunch of phenomenal people made the History of Television
Rated 5/5 Stars •
Rated 5 out of 5 stars
03/24/23
Full Review
Daniel B
Esta temporada hasta el momento es la más explosiva, con situación inverosímiles que de alguna forma Tom Cherones se las arregla para que funcionen en un contexto tan realista cómo lo es esta sitcom. Teniendo como eje central de la trama, el piloto que Jerry y George están creando, a base de ellos es de donde sale la esencia que hace única a esta temporada, en los que parece que se planeara un paralelismo entre la serie de la serie con la serie misma, rompiendo de manera muy inteligente la 4 pared para burlarse de las conveniencias y de lo simplista del concepto de esta seri, cosa que logran a la perfección, el último capítulo aparte de englobar en una escena a personajes recurrentes de toda la serie, es una crítica perfecta hacia lo volátil del medio y de nuevamente la misma serie, contrastando con un final que parecía que la serie venia planteando en la que "convencionalmente", el piloto es un éxito cerrando con todo el arco de esta temporada, no un final tan negro cómo después del episodio ser cancelado, yo amo este tipo de finales. La 4 temporada de Seinfeld es políticamente incorrecta, es inesecariamente explosiva, pero es única.
Rated 4/5 Stars •
Rated 4 out of 5 stars
03/01/23
Full Review
ahmad m
Just funny all around, great story, and you'll never get bored.
Rated 5/5 Stars •
Rated 5 out of 5 stars
03/30/23
Full Review
Audience Member
The season that rebuild and shaped the modern sitcom.
Rated 5/5 Stars •
Rated 5 out of 5 stars
01/09/23
Full Review
Audience Member
Favorite Season, Great Episodes
Rated 5/5 Stars •
Rated 5 out of 5 stars
01/09/23
Full Review
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Episode 1
Aired Aug 12, 1992
The Trip
When Jerry is booked to appear on "The Tonight Show,"' he takes George with him to Los Angeles to search for Kramer, who vanished in a huff months earlier.
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Episode 2
Aired Aug 19, 1992
The Trip
While in Los Angeles, Jerry and George are picked up by the police; Kramer is a suspect in a series of serial murders.
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Episode 3
Aired Sep 16, 1992
The Pitch
Jerry is approached by network executives and asked to to create a new television show.
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Episode 4
Aired Sep 16, 1992
The Ticket
Jerry tries to evade a vengeful writer; Kramer agrees to be a witness at a friend's trial; George woos an executive.
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Episode 5
Aired Sep 23, 1992
The Wallet
Jerry tries to explain to his visiting parents (Liz Sheridan, Barney Martin) the whereabouts of a gift they once gave him.
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Episode 6
Aired Sep 30, 1992
The Watch
Jerry tries to buy back the watch his parents gave him; George attempts to renegotiate his network deal.
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Episode 7
Aired Oct 7, 1992
The Bubble Boy
Jerry gets lost en route to visiting a sick fan who must live in a protective plastic bubble.
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Episode 8
Aired Oct 28, 1992
The Cheever Letters
Jerry and George try to write the pilot for their series; Kramer solicits cigars from the Cuban consulate.
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Episode 9
Aired Nov 4, 1992
The Opera
A night at the opera turns into a nightmare when Jerry meets Elaine's new boyfriend (Peter Crombie).
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Episode 10
Aired Nov 11, 1992
The Virgin
Jerry and George must think of an idea for a TV series before meeting with network bigwigs.
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Episode 11
Aired Nov 18, 1992
The Contest
Jerry challenges George, Kramer and Elaine to a contest of self-denial; Elaine looks forward to a special date.
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Episode 12
Aired Nov 25, 1992
The Airport
Jerry parties it up in first class while Elaine suffers in cramped coach; Kramer is chased by the police.
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Episode 13
Aired Dec 16, 1992
The Pick
Elaine accidentally reveals too much cleavage on her Christmas card; Kramer is asked to pose for a risque underwear ad.
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Episode 14
Aired Jan 6, 1993
The Movie
Jerry is shadowed by a pesky comic (Barry Diamond); the gang's decision to meet for a movie begins in disaster.
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Episode 15
Aired Jan 27, 1993
The Visa
Jerry takes pity on a foreigner (Brian George) when the man's immigration papers are left in Jerry's mailbox.
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Episode 16
Aired Feb 4, 1993
The Shoes
Jerry and George meet with a skeptical TV executive about their show; Kramer dates Jerry's ex-girlfriend.
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Episode 17
Aired Feb 11, 1993
The Outing
An eavesdropping college reporter prints the mistaken story that Jerry and George are longtime intimate companions.
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Episode 18
Aired Feb 18, 1993
The Old Man
When Jerry, George and Elaine volunteer to comfort senior citizens in their homes, it leads to disaster for all.
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Episode 19
Aired Feb 25, 1993
The Implant
Jerry dumps his girlfriend when he finds out she may have breast implants; Kramer claims to have seen Salman Rushdie at a health club.
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Episode 20
Aired Mar 18, 1993
The Junior Mint
Elaine's interest in an old boyfriend is rekindled when he loses weight; Kramer and Jerry have an accident with a Junior Mint; Jerry tries to remember the name of a woman whose name rhymes with a female body part.
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Episode 21
Aired Apr 15, 1993
The Smelly Car
A car valet with killer body odor leaves Jerry and Elaine gasping for breath; George sees an ex-girlfriend holding hands with someone else.
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Episode 22
Aired May 13, 1993
The Handicap Spot
George's father (Jerry Stiller) is arrested when Jerry and George park his car in a handicapped spot.
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Episode 23
Aired May 20, 1993
The Pilot
Jerry and George produce their pilot, but George doesn't like the actor playing him; Kramer has a personal problem.
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Episode 24
Aired May 20, 1993
The Pilot
Jerry and George produce their pilot, but George doesn't like the actor playing him; Kramer has a personal problem.
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